Gilles Prémel-Katzin

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May 09, 2011

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premel's scene....

Musicien percussionniste / Professeur de Percussion Gilles Premel 34, rue des Sablieres 33800 Bordeaux France Tlf: 06.66.44.26.43 e-mail: premelp@yahoo.fr Musicien percussionniste spécialiste dans la musique afro-caribéenne, afro-brésilienne afro-cubaine et leurs sources africaines.e Professeur de Percussion Instruments pratiques : conga, bongo, timbales, bata, berimbau, timba, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan,cajon péruvien,cajon cubain, quijada, surdo, batterie. C U R R I C U L U M V I T A E Franco-américain, né le 01 septembre 1961 à Versailles. Qualifications : Musicien percussionniste spécialiste dans la musique afro-caribéenne, afro-brésilienne et afro-cubaine et leurs sources africaines. Chercheur : travail en cours sur les cultures Yoruba, Fon, Congo...., leurs transpositions en amérique latine et leurs métissages avec la musique occidentale du siécle dernier. Experiences et formations 1975 : Conservatoire du 4eme arrondissement de Paris avec Franco

A Dictionary of the Yoruba Language, Oxford University Press, London, Ibadan, 8th impression, 1962 A Dictionary of the Yorùbá Language, University Press PLC, Ibadan, 2002 This is the most widespread Yorùbá dictionary, several reprints by different publishers exist. You can get the old versions very cheap in second-hand bookstores. It is a reprint from a dictionary published by the Church Missionary Society Bookshop of Lagos in 1913. Today it is still printed (in Malaysia) by University Press Ibadan and sold for a very affordable price in Nigeria, I have seen it in University bookshops. Guess what the original publishers’ opinion was on traditional Yorùbá religion? The book is divided equally into two sections, English-Yorùbá and Yorùbá-English. There is no section on grammar, tones or tenses, just one page on how to pronounce the vowels and certain letters. You open up the book and it starts with the letter A, great after Abraham, here I have the feeling that I am dea

| Yoruba | Arará | Abakuá | Kongo |

Brief Cultural History | Yoruba | Arará | Abakuá | Kongo | Until the last decades of the 18th Century, Cuba was a relatively underdeveloped island with an economy based mainly on cattle raising and tobacco farms. The intensive cultivation of sugar that began at the turn of the nineteenth century transformed Cuba into a plantation society, and the demand for African "slaves", who had been introduced into Cuba from Spain at the beginning of the 16th century, increased dramatically. The slave trade with the West African coast exploded, and it is estimated that almost 400,000 Africans were brought to Cuba during the years 1835-1864. [That's roughly 1150 per month for 29 years!] In 1841, African slaves made up over 40% of the total population. The late flourishing of the Cuban sugar industry and the persistence of the slave trade into the 1860s are two important reasons for the remarkable density and variety of African cultural elements in Cuba. Fernando Ort

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